Archive for February, 2010

0 Comments

Going Green. Designing from an ecological standpoint

23 February 2010 20:10pm by achak

Helping the environment requires dedicated input from all industries. As a design professional, there are many facets of our work that can help contribute to a better environment. We have prepared a few points which can help minimise chemical and paper waste.

Optimum sheet use
As parent sheets of paper typically come in several standard sizes, it is important to work closely with the printer early in the planning process. Designers can size their projects to make more efficient use of standard sheet sizes—printing 2, 3, or 4 up (or more) to use less paper and to minimise the amount of waste. When making compositions, designers can request the use of double-sided, smaller, reused, or recycled paper.

Revisit the size needed
Does it really have to be A3 folded to A4? Can you cleverly utilise a die-cut A6 postcard instead? Rethinking size in general is a good place to begin. Can a smaller piece serve the same purpose and have as much impact as a larger piece? Large or odd-sized designed pieces may not use paper efficiently and can often result in substantial amounts of waste. Reducing size not only minimises waste and energy consumption, but also saves money.

Less complexity equals less waste
Simplifying a piece can also reduce waste. Complex folding specifications can use more paper, resulting in more waste. For example, while elegant, a french-folded book uses twice the paper necessary, as it is composed of sheets with printing on one side, folded to reveal the printed side only. Sometimes, reducing complexity might be as simple as adjusting the size of a pocket or folded section.

Combine jobs
Ganging multiple print jobs uses less paper. By working with the printer early in the conceptual stage, designers creating multiple pieces with the same paper stock and ink can combine similar print jobs in the same print run. Ganged print runs reduce paper use, decrease the number of press make-readies, use fewer printing plates and save money.

Digital photography
The advent of digital cameras has drastically reduced waste output. Gone are the developing chemicals and the celluloid negatives. Paper is considerably reduced or eliminated entirely. However, not all digital photography is equal— care must be taken to ensure high resolution and quality.

Digital proofing and file delivery
The electronic technology of the PDF (portable document format) can save not only resources but also time. Delivering art directly to the printer via PDF and/or server uploads eliminates wasted storage media. On-screen proofing, via PDF, eliminates paper waste.

Do you have any other design tips that will help the environment? Please share with us by leaving a comment below.

Tags: , ,

Posted in
1 Comment

Going further with your designs to stand out from the crowd

18 February 2010 20:09pm by achak

Just the other day when I was doing a routine check on my mail (I mean the physical mailboxes at home, let’s not be too web savvy for a while), I pulled out a stack of promo junk that almost made my head spin – flyers from the local dry cleaners, magnets and business cards from plumbers, booklets for community dance classes, coupons for pizza n pasta. After sifting through the pile for a while trying to find something that can attract my attention, I couldn’t bear it anymore and chucked the whole thing into the bin. I couldn’t help but think to myself – that’s not the result I would want if I was the one doing the mailout.

Promotion is becoming more and more of a commodity as people grow more immune to the effects of marketing in modern society . Sure, doing a mailout can get you exposure for your brand, but it is no longer enough to actually bring business to your door. How many people will actually remember what that piece of paper in their mail was, let alone there’s always a zillion other pieces of paper next to it? The customer’s got to at least remember your brand first, right? As graphic designers, these are some questions to consider when helping your clients with their campaigns, because if your designs can prove better conversion rates, that’s how you can build your reputation and 1-up yourself from other designers.

Consumer expectation for quality and surprise has risen immensely over the years. Glossy and colourful is no longer enough – there’s full of it in the streets and on the web – and don’t think a nice looking photo will always do the job either! What you need to do is to go that extra mile with your work to captivate your audience and make sure they can engage with your message.

How about a bit of die-cut and special finishing?

If you are looking to differentiate your design, it makes sense to leverage print techniques such as embossing, raised print or hot-foil stamping, as these are effective ways to capture your audience’s attention on first impression. Add to that a custom-shape cutout or round edges and you instantly increase both value and visibility for your promo piece. When you are not only stuck with the boring old rectangle, the possibilities become endless – perhaps for ongoing campaigns, you can devise a set of custom-shapes that are meant to be collected by end-users, or maybe one campaign could physically be a key that unlocks a package from another.

Just as gloss and matte became the standard in today’s direct mail marketing, I anticipate die-cut and special finishings will soon become the future standard for mailouts. Although most would argue that the cost of custom-shape/special finishing printing is much higher, the increased effectiveness of the design is usually well worth the extra cost. Clients are usually willing to pay extra as long as the campaign works and can produce better results.

Here are some inspirations on effective use of custom shapes and special finishing to get you kick started:

Whatsup CD

Popup folding promo

Mandology Group business card

Coffee coasters

Roland Murillo

Water bottle mineral sprint water

Popout chair

Comb-shaped business card

CHM Systems coaster

Tags: , ,

Posted in
0 Comments

Toast Print gets rolling 2 weeks ahead of schedule

11 February 2010 13:57pm by achak

We are excited to announce that Toast Print is already up and running 2 weeks ahead of schedule!

A few designers have already signed up and started pumping in jobs already. Feedback has been great so far with no-one reporting any bugs/issues with the application.

We are glad to see that our efforts have helped the community solve one of the most frustrating operations in the graphic design business. It’s always nice to see that people are getting the hang of the app and are using features as intended just through their first interaction. A pat on the back goes out to all team members of Toast Print, and a big thank you to all those who have supported us over the past months to make this happen!

Tags: ,

Posted in
0 Comments

Printers Pre-Registration Starts Now

1 February 2010 08:26am by achak

After months of hard work, Toast Print is at the final steps prior to launching. Most functions are fully developed, tested and tested again. We are very confident in delivering a robust solution to the design and print industry.

Although our official launch date is 1st March, printer pre-launch registration has started today. It is part of the plan to accumulate substaintial numbers of printers on file before our launch to the design community. This way, designers can look through a variety of printers for their printing needs immediately.

Printers, registration is FREE.

To ensure that you don’t miss out on the influx of designers and jobs in March, please take this opportunity to become the early adopters of Toast Print.

Visit our supplier website and join for free now

Tags: ,

Posted in